Rolling Stone released a clip from the long-anticipated Jimi Hendrix biopic Jimi: All Is By My Side, which premieres next week at South by Southwest 2014. The movie tells the story of the famous guitarist and singer’s life leading up to fame.
The film, starring Andre 3000, actor and Outkast MC, was written and directed by John Ridley, Oscar-winning screenwriter behind 12 Years a Slave. Production began seven years ago, when Ridley started exploring the track “Sending My Love to Linda,” a song about one of Jimi’s biggest supporters, friend Linda Keith.
The recently released clip features a scene with Hendrix, his manager Chas Chandler (played by Andrew Buckley) and Keith (played by Imogen Poots) hanging out in a restaurant discussing what Hendrix should do next.
“I don’t want to get caught up in those kind of labels, though,” Hendrix (Andre 3000) says in the scene. “I don’t want it to be, ‘Well OK, he’s playing the blues,’ or ‘He’s playing R&B or soul or whatever’.”
While the film is about Hendrix’s life, because of his estate, music by Muddy Waters, the Beatles, the Troggs and other similar artists will be featured in the movie instead. As of right now, the U.S. release date for the film has not yet been announced, but it is due in United Kingdom theaters next August.
the film was elaborately done, though in a tasteful way. Gatsby’s parties were spot on, brought to life the way F. Scott Fitzgerald intended them in his writing. Leonardo DiCaprio played the well-known Jay Gatsby, trying to attract the lovely Daisy Buchanan (Carey Mulligan), the object of his affection that lay just out of his reach.
Tobey MacGuire narrates the film as Nick Carraway, following the novel spot on and acting as messenger between characters. Drama unfolds as Gatsby is reunited with his love, but faces a bump in the road—Tom Buchanan (Joel Edgerton), Daisy’s not so faithful husband who wants her all to himself.
Through time spent together, Daisy and Gatsby’s love begins to blossom once more through this time of lust and dissolution that was the 20’s, though the ending is an unpleasant tragedy.
The cast in this remake worked, despite skepticism from critics, and was one reason the film was a success. There was great chemistry between DiCaprio, Mullagon, MacGuire and Edgerton.
MacGuire also did well portraying Carraway’s quite and reserved, yet rebelliously guilty personality. Mulligan showed deep emotion as well. The entire cast worked well. From starring to minor roles, there wasn’t a character out of place.
The fashions of the film seemed right out of the roaring 1920s. Men dressed in suits of different shades, and women wore flapper-esque outfits and glittering accessories to match.
Luhrmann’s wife, costume designer Catherine Martin, worked with designerMiuccia Prada to develop more than 40 ensembles for the film, according toVogue. Diamond looks adorning the women of the movie were created as part of an exclusive collection through Tiffany’s.
These elements, in addition to the décor of Gatsby’s home and elaborateness of his parties accurately portrayed the level of decadence.
Similar to Luhrmann’s other movies, the film style in “Gatsby” was very flamboyant and at times seemed all over the place. There were some moments where the audience could easily get distracted, with quick camera movements, and a lot of action in each frame.
Music in the film really drew in a younger crowd. A lot of hip hop music played, often in combination with old jazz for an interesting take on the tunes—bridging old with new. Jay Z, Beyonce, Andre 3000 and Will.I.Am are among artists on the soundtrack, though alternative musicians including Sia, Jack White, Gotye and Florence + The Machine added a different sound.
The track that most stood out in the film, however, had to be Lana Del Rey’s “Young and Beautiful.” The composition was played twice, at very emotional moments, and really depicted the strong feelings between Daisy and Gatsby.
While people had their doubts, “The Great Gatsby” delivered. The film was self-indulgent but an accurate interpretation of the novel. Though at times bordering over the top, the movie was beautiful and well-planned to every last detail.